\version "2.24.0" #(ly:set-option 'point-and-click #f) \header { title = "B.C. I" composer = "Fredrik Olofsson 1999" tagline = "v2021-11-21" } \paper { evenHeaderMarkup = \markup { \fill-line { \unless \on-first-page \fromproperty #'page:page-number-string \unless \on-first-page \fromproperty #'header:instrument \unless \on-first-page \fromproperty #'header:title } } oddHeaderMarkup = \evenHeaderMarkup ragged-bottom = ##f ragged-last-bottom = ##t } \layout { \accidentalStyle modern-cautionary \context { \Score \numericTimeSignature } } %---------------------------------------------------------------------------- rs = { \once \override Rest.stencil = #ly:percent-repeat-interface::beat-slash \once \override Rest.thickness = #0.48 \once \override Rest.slope = #1.7 \once \override Rest.staff-position = #0 \once \override Rest.X-extent = #'(0 . 0) r4 } %---------------------------------------------------------------------------- global = { %Timeline \tempo 4 = 154 \time 4/4 s1*12 \bar "||" \mark \markup { \box "13" } s1*11 \time 5/4 s2. s2 \time 4/4 \bar "||" \mark \markup { \box "25" } s1*8 \bar "||" \mark \markup { \box "33" } s1*12 \bar "||" \mark \markup { \box "45" } s1*8 \mark \markup { \small \bold "OPEN REPEAT" } \repeat volta 2 { s1 } \mark \markup { \small \bold "ON CUE:" } s1 \bar "||" s1*3 \bar "||" \mark \markup { \box "58" } s1*20 \bar "||" \mark \markup { \box "78" } s1*17 \time 5/4 s2. s2 \time 4/4 \bar "||" \mark \markup { \box "96" } s1*5 \bar "||" \mark \markup { \box "101" } s1*6 \bar "||" \mark \markup { \box "107" } s1*15 \bar "||" \mark \markup { \box "122" } \time 3/4 s2. \time 4/4 s1*15 \bar "|." \mark \markup { \small \bold "ATTACCA" } } %---------------------------------------------------------------------------- sopranoNotes = \relative c' { \repeat unfold 3 { dis'1\fp\< 4^^\ff r r2 } R1 r2 r4 fis~->\ff 1~ 2.\> r4\! r g2.~->\mf\> 2. r4\! | %--13 ces,16\(\mf f, bes f\) bes8\( aes16 f~ 8\) aes r4 ces16\( f, bes f\) bes8\( aes16 f~ 16\) f ees8 r4 ces'16\( f, bes f\) aes8\( f16 ees~ 8\) f r4 R1*5 ces'16\( f, bes f\) bes8\( aes16 f~ 8\) aes r4 ces16\( f, bes f\) bes8\( aes16 f~ 16\) f ees8 r4 ces'16\( f, bes f\) aes8 f ees-- 8-. f4^^ ces'16\( f, bes f aes f\) r8 ees-> 8 f2 | %--25 R1*2 R1 r2 r4 fis'~->\ff 1~ 2.\> r4\! r g2.~->\mf\> 2. r4\! | %--33 ees16\(\mf a, d a\) d8\( c16 a~ 8\) c r4 ces16\( f, bes f\) bes8\( aes16 f~ 16\) 16 ees8 r4 d'16\( aes des aes\) ces8 aes ges-- 8-. aes4^^ ces16\( f, bes f\) aes8 f f a~ 4~ 4 bes^^ r2 R1*7 | %--45 R1*8 R1 R1 \tuplet 3/2 { r4 b2->\mf } \tuplet 3/2 { 2-> 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { 2-> 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { 2-> 4-> } | %--58 bes!2.\> r4\! R1*13 R1 r2 r4 fis'~->\ff 1~ 2.\> r4\! r g2.~->\mf\> 2. r4\! | %--78 ces,16\(\mf f, bes f\) bes8\( aes16 f~ 8\) aes r4 r ces16\( f, bes f\) bes8\( aes16 f\) r4 r2 r4 ces'16\( f, bes8\) aes des bes ees c4-- r ces16\( f, bes f\) bes8-- aes-. 8-. des-. e4-- r ces16\( f, bes f\) bes8\( aes16 g\) r4 r8. aes16 des4-- f-. r bes,8 ees c4-. r2 f16( c) ees8-. c4-- r f16\( c e8~ 8\) c-. r4 r ges'16\( des f des\) f8 aes bes4-- r2 ces8-- f,-. r4 des8-. f-- r des-. ces'-- f,-. r des-. \tuplet 3/2 { f4-- ces'-. 4-- } f,8-- des-. r4 r bes'16( f) bes8-- aes f4 r8 r4 ces'16\(\f f, bes f\) bes8\( aes16 f~ 8\) aes-. ces16\( f, bes f\) bes8\( aes16 f~ f8\) aes-. ces16\( f, bes f\) bes8-. aes16\( f~ f8\) aes-. ces16\( f, bes f\) bes8-. aes16\( f~ 8\) aes-> r2 | %--96 r2 r4 fis~->\ff 1~ 2.\> r4\! r g2.~->\mf\> 2. r4\! | %--101 ces,16\(\mf f, bes f\) bes8\( aes16 f~ 8\) aes r4 r ees'16\( a, d a\) d8\( c16 a~ a\) a g8 r ces16\( f, bes f\) aes8~ 2~ 1~\> 8\! r r4 r2 R1 | %--107 R1*8 c'8-.\f r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~ 4 f-.-> | %--122 R2. r2 bes2~\< 1~\! 1~\> 2 r\! R1*10 r1\fermata } \addQuote "sopranoQuote" \sopranoNotes \addQuote "sopranoQuoteLo" \transpose c c, \sopranoNotes \addQuote "sopranoQuoteLo2" \transpose c c,, \sopranoNotes altoNotes = \relative c' { b'!1\fp\< 4^^\ff r r2 \repeat unfold 2 { 1\fp\< 4^^\ff r r2 } b1~\mf 2. c4~->\ff 1~ 2.\> r4\! r cis2.~->\mf\> 2. r4\! | %--13 \quoteDuring "sopranoQuote" s1*11 ces16\( f, bes f aes f\) r8 ees-> f ees2 | %--25 R1*2 R1 r2 r4 c'~->\ff 1~ 2.\> r4\! r cis2.~->\mf\> 2. r4\! | %--33 R1*4 r4 f,^^\mf r2 R1*7 | %--45 R1*8 R1 R1 \quoteDuring "sopranoQuote" s1*3 | %--58 f2.\> r4\! R1*13 R1 r2 r4 c'~->\ff 1~ 2.\> r4\! r cis2.~->\mf\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*17 s4*5 } | %--96 r2 r4 c~->\ff 1~ 2.\> r4\! r cis2.~->\mf\> 2. r4\! | %--101 \quoteDuring "sopranoQuote" s1 r4 ces16\( f, bes f\) bes8\( aes16 f~ f\) f ees8 r ces'16\( f, bes f\) aes8 f2~ 1~\> 8\! r r4 r2 R1 | %--107 R1*8 \quoteDuring "sopranoQuoteLo" s1*6 bes8-. r16 16-. r8 8~ 2~ | %--122 2.~ 1~ 1~\> 2 r\! R1*9 r2 bes~\< 1~\! 1\fermata } tenorOneNotes = \relative c' { \repeat unfold 3 { bes'1\fp\< 4^^\ff r r2 } R1 r2 r4 g~->\ff 1~ 2.\> r4\! r g'2.~->\mf\> 2. r4\! | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 g,~->\ff 1~ 2.\> r4\! r g'2.~->\mf\> 2. r4\! | %--33 ces,16\(\mf f, bes f\) bes8\( aes16 f~ 8\) aes r4 \quoteDuring "sopranoQuote" s1 ces16\( f, bes f\) aes8 f ees-- 8-. f4^^ ces'16\( f, bes f\) aes8 f a f~ 4~ 4 ees^^ r2 R1*7 | %--45 R1*8 R1 r2 r4 r8 c~->\mf \tuplet 3/2 { c2 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { c2-> 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { c2-> 4~-> } \tuplet 3/2 { 4 2-> } | %--58 c2.\> r4\! R1*7 \tag #'score { \clef bass } c8-.\f r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2 r4 \tag #'score { \clef treble } g'~->\ff 1~ 2.\> r4\! r g'2.~->\mf\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*17 s4*5 } | %--96 r2 r4 g,~->\ff 1~ 2.\> r4\! r g'2.~->\mf\> 2. r4\! | %--101 R1*6 | %--107 \tag #'score { \clef bass } c,,8-.\f r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~ 4 f-.-> | %--122 R2. R1*2 \tag #'score { \clef treble } r2 bes'~\< 1~\! 1~\> 2 r\! R1*8 r1\fermata } \addQuote "tenorOneQuote" \tenorOneNotes \addQuote "tenorOneQuoteHi" \transpose c c' \tenorOneNotes tenorTwoNotes = \relative c' { \repeat unfold 3 { e1\fp\< 4^^\ff r r2 } c1~\mf 2. cis4~->\ff 1~ 2.\> r4\! r cis'2.~->\mf\> 2. r4\! | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 cis,~->\ff 1~ 2.\> r4\! r cis'2.~->\mf\> 2. r4\! | %--33 R1*4 r4 ces,^^\mf r2 R1*7 | %--45 R1*8 R1 \quoteDuring "tenorOneQuote" s1*4 | %--58 g2.\> r4\! R1*7 \tag #'score { \clef bass } \quoteDuring "tenorOneQuote" { s1*7 s2 s4} \tag #'score { \clef treble } cis~->\ff 1~ 2.\> r4\! r cis'2.~->\mf\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*17 s4*5 } | %--96 r2 r4 cis,~->\ff 1~ 2.\> r4\! r cis'2.~->\mf\> 2. r4\! | %--101 R1*6 | %--107 \tag #'score { \clef bass } \quoteDuring "tenorOneQuote" s1*15 | %--122 R2. R1*4 \tag #'score { \clef treble } r2 bes~\< 1~\! 1~\> 2 r\! R1*6 r1\fermata } baritoneChords = \chordmode { s1*12 s1*3 b1:7 des:7 s1 c1:7 bes:7 s1*3 s4*5 des1:7 s1 c2:7 bes:7 c:7 bes4:7 s4 s1*4 s1*4 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 } baritoneNotes = \relative c { \tag #'score { \clef bass } R1*4 c'4--\mf 4-- 4-- 4-- 4-\markup { \halign #0 "sim." } 4 4 4 4 4 4 4 4 4 4 e,~->\ff 1~ 2.\> r4\! R1*2 | %--13 R1*3 \rs-"solo ad lib. -freely" \repeat unfold 18 { \rs } \rs-\markup { \halign #0 "end solo" } R1*3 R4*5 | %--25 \rs-"solo ad lib. -freely" \repeat unfold 13 { \rs } \rs-\markup { \halign #0 "end solo" } r4 R1*4 | %--33 R1*4 \rs-"solo ad lib." \repeat unfold 31 { \rs } | %--45 \repeat unfold 32 { \rs } \rs-"freely w/ Dr." \repeat unfold 6 { \rs } \rs-\markup { \halign #0 "end solo" } R1*3 | %--58 R1*15 r2 r4 e~->\ff 1~ 2.\> r4\! R1*2 | %--78 \quoteDuring "sopranoQuoteLo2" { s1*17 s4*5 } | %--96 r2 r4 e~->\ff 1~ 2.\> r4\! R1*2 | %--101 R1*6 | %--107 \tag #'score { \clef bass } \quoteDuring "tenorOneQuote" s1*15 | %--122 R2. R1*6 r2 bes'~\< 1~\! 1~\> 2 r\! R1*4 r1\fermata } trumpetOneNotes = \relative c' { b''!1\fp\< 4^^\ff r r2 \repeat unfold 2 { 1\fp\< 4^^\ff r r2 } R1 r2 r4 c~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 c~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 aes^^\mf r2 R1*3 r4 4^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 R1*8 c8-.\f r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2 r4 c'~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuote" { s1*17 s4*5 } | %--96 r2 r4 c~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*6 | %--107 R1*8 \quoteDuring "sopranoQuote" s1*6 bes8-. r16 16-. r8 8~ 2~ | %--122 2.~ 1~\> 2 r\! R1*9 r2 bes~\< 1~\! 1~ 1\fermata } \addQuote "trumpetOneQuoteLo" \transpose c c, \trumpetOneNotes \addQuote "trumpetOneQuoteLo2" \transpose c c,, \trumpetOneNotes trumpetTwoNotes = \relative c' { \repeat unfold 3 { a''1\fp\< 4^^\ff r r2 } R1 r2 r4 g~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 g~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 ees^^\mf r2 R1*3 r4 4^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 c8-.\f r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. r16 16-. r8 8~\(-> 16 bes g f\) g4~ 2. r4 bes8-. r16 16-. r8 8~\(-> 16 aes f ees\) f4~ 2. r4 c'8-. \quoteDuring "trumpetOneQuoteLo" { s2.. s1*6 s2 s4 } g'~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuote" { s1*17 s4*5 } | %--96 r2 r4 g~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*6 | %--107 \quoteDuring "tenorOneQuoteHi" { s1* 14 } \quoteDuring "trumpetOneQuoteLo" { s1 } | %--122 bes,2.~ 1~\> 2 r\! r bes2~\< 1~\! 1~\> 2 r\! R1*2 r2 bes2~\< 1~\> 2 r\! R1*3 r1\fermata } \addQuote "trumpetTwoQuote" \trumpetTwoNotes \addQuote "trumpetTwoQuoteLo" \transpose c c, \trumpetTwoNotes trumpetThreeNotes = \relative c' { \repeat unfold 3 { fis'1\fp\< 4^^\ff r r2 } R1 r2 r4 e~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 e~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 ces^^\mf r2 R1*3 r4 4^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 \quoteDuring "trumpetTwoQuote" { s1*8 } c8-. \quoteDuring "trumpetOneQuoteLo" { s2.. s1*6 s2 s4 } e~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuote" { s1*17 s4*5 } | %--96 r2 r4 e~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*6 | %--107 \quoteDuring "tenorOneQuoteHi" { s1* 14 } \quoteDuring "trumpetOneQuoteLo" { s1 } | %--122 bes2.~ 1~ 1~\> 2 r\! R1 r2 bes~\< 1~\! 1~\> 2 r\! R1 r2 bes2~\< 1~\> 2 r\! R1*2 r1\fermata } trumpetFourNotes = \relative c' { \repeat unfold 3 { dis'1\fp\< 4^^\ff r r2 } R1 r2 r4 c~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 c~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 aes^^\mf r2 R1*3 r4 4^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 \quoteDuring "trumpetTwoQuote" { s1*8 } c8-. \quoteDuring "trumpetOneQuoteLo" { s2.. s1*6 s2 s4 } c~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuote" { s1*17 s4*5 } | %--96 r2 r4 c~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*6 | %--107 \quoteDuring "tenorOneQuoteHi" { s1* 14 } \quoteDuring "trumpetOneQuoteLo" { s1 } | %--122 bes2.~ 1~ 1~\> 2 r\! R1*3 r2 bes~\< 1~\! 1~\> 2 r\! r2 bes2~\< 1~\> 2 r\! R1 r1\fermata } tromboneOneNotes = \relative c { \repeat unfold 3 { bes''1\fp\< 4^^\ff r r2 } R1 r2 r4 g~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 g~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 f^^\mf r2 R1 r4 fis^^ r2 R1 r4 f^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 \quoteDuring "trumpetTwoQuoteLo" { s1*8 } c8-. \quoteDuring "trumpetOneQuoteLo2" { s2.. s1*6 s2 s4 } g'~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*8 } \quoteDuring "sopranoQuoteLo2" { s1*9 s4*5 } | %--96 r2 r4 g~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*3 \tuplet 3/2 { r4 b2->\f } \tuplet 3/2 { 2-> 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { 2-> 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { 2-> 4-> } | %--107 bes1~ 1 aes~ 2.~ 8 r g1~ 1 f~ 2.~ 8 r ees1~ 1 des~ 2.~ 8 r c1~ 1 bes8-. r16 16-. r8 8~ 4 f-.-> | %--122 R2. R1 r2 bes'2~\< 1~\! 1~\> 2 r\! R1*9 r1\fermata } tromboneTwoNotes = \relative c { \repeat unfold 3 { g''1\fp\< 4^^\ff r r2 } R1 r2 r4 cis,~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 cis~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 ees^^\mf r2 R1 r4 cis^^ r2 R1 r4 ees^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 \quoteDuring "trumpetTwoQuoteLo" { s1*8 } c8-. \quoteDuring "trumpetOneQuoteLo2" { s2.. s1*6 s2 s4 } cis~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*8 } \quoteDuring "sopranoQuoteLo2" { s1*9 s4*5 } | %--96 r2 r4 cis~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*2 r2 r4 r8 c~->\f \tuplet 3/2 { 2 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { 2-> 4~-> } \tuplet 3/2 { 4 2-> } \tuplet 3/2 { 2-> 4~-> } \tuplet 3/2 { 4 2-> } | %--107 f1~ 1 ees~ 2.~ 8 r d1~ 1 c~ 2.~ 8 r bes1~ 1 aes~ 2.~ 8 r g1~ 1 bes8-. r16 16-. r8 8~ 4 f-.-> | %--122 R2. R1*3 r2 bes2~\< 1~\! 1~\> 2 r\! R1*7 r1\fermata } tromboneThreeNotes = \relative c { \repeat unfold 3 { e'1\fp\< 4^^\ff r r2 } R1 r2 r4 e,~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 e~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 ces'^^\mf r2 R1 r4 a^^ r2 R1 r4 ces^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 \quoteDuring "trumpetTwoQuoteLo" { s1*8 } c8-. \quoteDuring "trumpetOneQuoteLo2" { s2.. s1*6 s2 s4 } e,~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*8 } \quoteDuring "sopranoQuoteLo2" { s1*9 s4*5 } | %--96 r2 r4 e~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*2 r2 r4 r8 a~->\f a aes4-- g8~ 8 ges4-- f8~ 8 e4-- f8~ 8 fis4-- g8~ 8 gis4-- a8~ 8 ais4-- b8 | %--107 c1~ 1 bes~ 2.~ 8 r a1~ 1 g~ 2.~ 8 r f1~ 1 ees~ 2.~ 8 r d1~ 1 bes'8-. r16 16-. r8 8~ 4 f-.-> | %--122 R2. R1*5 r2 bes2~\< 1~\! 1~\> 2 r\! R1*5 r1\fermata } tromboneBassNotes = \relative c { \repeat unfold 3 { c1\fp\< 4^^\ff r r2 } R1 r2 r4 a~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--13 R1*11 R4*5 | %--25 R1*2 R1 r2 r4 a~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--33 R1*4 r4 des^^\mf r2 R1 r4 dis^^ r2 R1 r4 des^^ r2 R1*3 | %--45 R1*8 R1 R1 R1*3 | %--58 \quoteDuring "trumpetTwoQuoteLo" { s1*8 } c8-. \quoteDuring "trumpetOneQuoteLo2" { s2.. s1*6 s2 s4 } a~->\ff 1~ 1~ 1~\> 2. r4\! | %--78 \quoteDuring "sopranoQuoteLo" { s1*8 } \quoteDuring "sopranoQuoteLo2" { s1*9 s4*5 } | %--96 r2 r4 a~->\ff 1~ 1~ 1~\> << 1 { s2. s4\! } >> | %--101 R1*2 r2 r4 r8 a~->\f a aes4-- g8~ 8 ges4-- f8~ 8 e4-- f8~ 8 fis4-- g8~ 8 gis4-- a8~ 8 ais4-- b8 | %--107 c8 bes c4-. 4-. c8 bes c4-. 4-. c8 bes c4-. bes-. 8 aes bes4-. 4-. 8 aes bes4-. 4-. 8 aes c4-. 4-. 8 bes c4-. 4-. 8 bes c4-. 4-. bes8 aes bes4-. 4-. 8 aes bes4-. 4-. 8 aes bes4-. c-. 8 bes c4-. 4-. 8 bes c4-. 4-. 8 bes8 4-. 4-. 8 aes bes4-. 4-. 8 aes bes4-. 4-. c8 bes c4-. 4-. 8 bes c4-. 4-. 8 bes c4-. bes8-. r16 16-. r8 8~ 4 f-.-> | %--122 R2. R1*7 r2 bes'2~\< 1~\! 1~\> 2 r\! R1*3 r1\fermata } \addQuote "tromboneBassQuote" \tromboneBassNotes \addQuote "tromboneBassQuoteHi" \transpose c c' \tromboneBassNotes guitarNotes = \relative c' { R1*2 4--\mf^\markup { \halign #0 "dist." } q-- q-- q-- q-\markup { \halign #0 "sim." } q q q q q q q q q q q q q q q q q q << { s4 s1*2 r4 2.~ 2. } \\ { \stemUp 4~->\ff 1~ 1~ 1~\> << 2. { s2 s4\! } >> } >> r4 | %--13 \quoteDuring "sopranoQuote" s1*11 ces''16\( f, bes f aes f\) r8 ees-> f a2 | %--25 R1*3 r2 r4 << { s4 s1*2 r4 2.~ 2. } \\ { \stemUp 4~->\ff 1~ 1~ 1~\> << 2. { s2 s4\! } >> } >> r4 | %--33 \quoteDuring "sopranoQuote" { s1*3 s2 } a''8 ees'~ 4~ 4 ^^ r2 R1*3 r4 ^^ r2 R1*3 | %--45 R1*8 R1 r2 r4 r8 c~->\f \tuplet 3/2 { c4\laissezVibrer b'\laissezVibrer c,\laissezVibrer } \tuplet 3/2 { b'^"sim." c, b' } \tuplet 3/2 { c, b' c, } \tuplet 3/2 { b' c, b' } \tuplet 3/2 { c, b' c, } \tuplet 3/2 { b' c, b' } | %--58 1~ 1 ~ 1 ~ 1 ~ 1 ~ 1 ~ 1 ~ 1 ~ 2 r4 << { s4 s1*2 r4 2.~ 2. } \\ { \stemUp 4~->\ff 1~ 1~ 1~\> << 2. { s2 s4\! } >> } >> r4 | %--78 \quoteDuring "sopranoQuoteLo" { s1*17 s4*5 } | %--96 r2 r4 << { s4 s1*2 r4 2.~ 2. } \\ { \stemUp 4~->\ff 1~ 1~ 1~\> << 2. { s2 s4\! } >> } >> r4 | %--101 \quoteDuring "sopranoQuote" s1*2 r8 ces''16\( f, bes f\) aes8~ 4. c,8~->\f \tuplet 3/2 { c4\laissezVibrer b'\laissezVibrer c,\laissezVibrer } \tuplet 3/2 { b'^"sim." c, b' } \tuplet 3/2 { c, b' c, } \tuplet 3/2 { b' c, b' } \tuplet 3/2 { c, b' c, } \tuplet 3/2 { b' c, b' } | %--107 1~ 1 ~ 1 ~ 1 ~ 1 ~ 1 ~ 1 ~ 1 r2 r4 bes''~\mf | %--122 2.~^\markup { \halign #0 "feedback" } 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1\fermata } pianoChords = \chordmode { s1*12 s1*11 s4*5 s1*8 s1*12 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 } pianoNotesRH = \relative c' { R1*4 1~\mf^\markup { \halign #0 "organ" } 1~ 1~ 2. 4~->\ff 1~ 2. r4 R1*2 | %--13 \quoteDuring "sopranoQuote" s1*11 ces16\( f, bes f aes f\) r8 ees~-> ~ 2 | %--25 R1*3 r2 r4 4~->\ff 1~ 2. r4 R1*2 | %--33 \quoteDuring "tenorOneQuote" s1 \quoteDuring "sopranoQuote" s1 \quoteDuring "tenorOneQuote" s1 ces16\( f, bes f\) aes8 f~ ~ 8~ 4~ 4 ^^ r2 R1 r4 ^^ r2 R1 r4 ^^ r2 R1*3 | %--45 R1*8 R1 r2 r4 r8 a,~-> a aes4-- g8~ 8 ges4-- f8~ 8 e4-- f8~ 8 fis4-- g8~ 8 gis4-- a8~ 8 ais4-- b8 | %--58 c8 bes c4-. 4-. c8 bes c4-. 4-. c8 bes c4-. bes-. 8 aes bes4-. 4-. 8 aes bes4-. 4-. 8 aes c4-. 4-. 8 bes c4-. 4-. 8 bes c4-. 4-. bes8 aes bes4-. 4-. 8 aes bes4-. 4-. 8 aes bes4-. c-. 8 bes c4-. 4-. 8 bes c4-. 4-. 8 bes8 4-. 4-. 8 aes bes4-. 4-. 8 aes bes4-. 4-. c8 bes c4-. 4-. 8 bes c4-. 4-. 8 bes c4-. bes-. 8 aes bes4-. 4-. 8 aes bes4-. 4-. 4~->\ff 1~ 2. r4 R1*2 | %--78 \quoteDuring "sopranoQuote" { s1*17 s4*5 } | %--96 bes,4-. 4-. 8 aes 4~->\ff 1~ 2. r4 R1*2 | %--101 \quoteDuring "sopranoQuote" s1 r4 ces16\( f, bes f\) bes8\( aes16 f~ f\) f ees8 r ces'16\( f, bes f\) aes8 f4. a,8~->\f a aes4-- g8~ 8 ges4-- f8~ 8 e4-- f8~ 8 fis4-- g8~ 8 gis4-- a8~ 8 ais4-- b8 | %--107 \quoteDuring "tromboneBassQuoteHi" { s1*15 } | %--122 R2. R1*10 1\( 2 1 2 \) r1\fermata } \addQuote "pianoQuoteRHLo" \transpose c c, \pianoNotesRH pianoNotesLH = \relative c { \dynamicUp R1*7 r2 r4 ~-> 1~ 1~ 1~\> << { s2. s4\! } 1 >> | %--13 R1*11 R4*5 | %--25 R1*3 r2 r4 ~-> 1~ 1~ 1~\> << { s2. s4\! } 1 >> | %--33 R1*12 | %--45 \rs^"comp" \repeat unfold 30 { \rs } \improvisationOn d4-> \improvisationOff R1 r2 r4 r8 a~->\f \quoteDuring "pianoQuoteRHLo" s1*3 | %--58 \quoteDuring "pianoQuoteRHLo" { s1*15 s2. } 4~-> 1~ 1~ 1~\> << { s2. s4\! } 1 >> | %--78 R1*17 R4*5 | %--96 bes4-.\mf 4-. 8 aes 4~-> 1~ 1~ 1~\> << { s2. s4\! } 1 >> | %--101 R1*2 r2 r4 r8 a8~-> \quoteDuring "pianoQuoteRHLo" s1*3 | %--107 \quoteDuring "tromboneBassQuote" { s1*15 } | %--122 R2. R1*6 << s4\mf \quoteDuring "bassQuote" { s1*4 } >> R1*4 r1\fermata } bassChords = \chordmode { s1*12 s1 des1:7 b:7 s1 des1:7 s1 c1:7 bes:7 des:7 s1 b1:7 s4*5 s1*8 s1 des1:7 b:7 s1 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 des1:7 s1 b1:7 s1 s1 s1 s1*3 s1*20 s1*17 s4*5 s1*5 s1 des1:7 b:7 s1*3 } bassNotes = \relative c { R1 f,4\f f'8 c16 ees~ 8 c d b R1 f4 f'8 c16 ees~ 8 d c b f4-. r r f'8 c16 ees~ 8 c d b r2 r8 f f' c16 ees~ 8 d c b f4-. r r a~->\ff 8. 16 ees' a, des g,~ 8. a16 r4 r8. a16 ees'\> a, des g,~ 8. a16 r4 r8. a16 ees' a, des g,~ 8. a16\! r4 R1 | %--13 des8.\mf aes16~ 8 ces-. des8. ees16~ 8 ces-. \rs-"sim. ad lib." \repeat unfold 39 { \rs } \rs \rs b8-> fis~ 2 | %--25 des'8.\mp aes16~ 8 b-. des8. aes16~ 8 b8-. des8. aes16~ 8 b-. des8. aes16~ 8 b-. \tuplet 3/2 { c4 c' c, } \tuplet 3/2 { bes' bes, bes' } \tuplet 3/2 { c, c' c, } bes'-. a,~->\ff 8. 16 ees' a, des g,~ 8. a16 r4 r8. a16 ees'\> a, des g,~ 8. a16 r4 r8. a16 ees' a, des g,~ 8. a16\! r4 R1 | %--33 des8.\mf aes16~ 8 ces-. des8. ees16~ 8 ces-. \rs-"sim. ad lib." \repeat unfold 43 { \rs } | %--45 \repeat unfold 31 { \rs } \improvisationOn d4-> \improvisationOff R1 r2 r4 r8 a~->\f \quoteDuring "pianoQuoteRHLo" { s1*3 } | %--58 \quoteDuring "pianoQuoteRHLo" { s1*15 s2. } a4~->\ff 8. 16 ees' a, des g,~ 8. a16 r4 r8. a16 ees'\> a, des g,~ 8. a16 r4 r8. a16 ees' a, des g,~ 8. a16\! r4 R1 | %--78 \quoteDuring "sopranoQuoteLo2" { s1*17 s4*5 } | %--96 bes4-.\mf 4-. 8 aes a4~->\ff 8. 16 ees' a, des g,~ 8. a16 r4 r8. a16 ees'\> a, des g,~ 8. a16 r4 r8. a16 ees' a, des g,~ 8. a16\! r4 R1 | %--101 des8.\mf aes16~ 8 ces-. des8. ees16~ 8 ces-. \rs-"sim. ad lib." \repeat unfold 6 { \rs } r8 a~->\f \quoteDuring "pianoQuoteRHLo" { s1*3 } | %--107 \quoteDuring "tromboneBassQuote" { s1*15 } | %--122 R2. R1*2 << s4\mf \repeat unfold 4 { f'8-> f,4-- g8~ 8 aes4-- bes8~ 8 c4-- des8~ 8 ces ees ges } >> bes1~\> 1 << s4\! R1 >> R1 r1\fermata } \addQuote "bassQuote" \bassNotes drumNotes = \drummode { R1 r2 \rs\<^"pick-up" \rs << s4\f << { hhc8 hho4 8~ hh8 hho4 8 } \\ { bd8 8 sn bd16 sn bd sn bd8 sn bd16 sn } >> >> \rs^"sim. ad lib." \repeat unfold 18 { \rs } \improvisationOn tomml4->\laissezVibrer\ff \improvisationOff \rs \rs \rs \rs \rs \rs\> \repeat unfold 9 { \rs } \rs\! | %--13 \rs\mf \repeat unfold 43 { \rs } \rs \rs \improvisationOn tomml8-> 8~ 2 \improvisationOff | %--25 << { hhc8 hho hhc4 4 8 hho hhc4 4 8 hho hhc4 4 } \\ { s1\mp s1 bd4 } >> r4 r2 << s4 \\ bd >> r4 r4 \improvisationOn tomml4->\laissezVibrer\ff \improvisationOff \rs \rs \rs \rs \rs \rs\> \repeat unfold 9 { \rs } \rs\! | %--33 \rs\mf \repeat unfold 47 { \rs } | %--45 \repeat unfold 31 { \rs } \improvisationOn tomml4-> \improvisationOff \rs \rs \rs \rs \rs \rs \rs \rs \rs\f \repeat unfold 11 { \rs } | %--58 \repeat unfold 63 { \rs } \improvisationOn tomml4->\laissezVibrer\ff \improvisationOff \rs \rs \rs \rs \rs \rs\> \repeat unfold 9 { \rs } \rs\! | %--78 << \new CueVoice \with { \override NoteHead.style = #'slash \override NoteHead.Y-offset = #2.5 \override Rest.Y-offset = #2.5 } { \voiceOne 16 16 16 16 8 16 16~ 8 8 r4 r4 16 16 16 16 8 16 16 r4 r2 r4 16 16 8 8 8 8 8 4-- r4 16 16 16 16 8-- 8-. 8-. 8 4-- r4 16 16 16 16 8 16 16 r4 r8. 16 4-- 4-. r4 8 8 4-. r2 16 16 8-. 4-- r4 16 16 8~ 8 8-. r4 r4 16 16 16 16 8 8 4-- r2 8-- 8-. r4 8-. 8-- r8 8-. 8-- 8-. r8 8-. \tuplet 3/2 { 4-- 4-. 4-- } 8-- 8-. r4 r4 16 16 8-- 8 4 r8 r4 16 16 16 16 8 16 16~ 8 8-. 16 16 16 16 8 16 16~ 8 8-. 16 16 16 16 8-. 16 16~ 8 8-. 16 16 16 16 8-. 16 16~ 8 8-> } \\ { \rs\mf \repeat unfold 58 { \rs } \rs\f \repeat unfold 10 { \rs } \improvisationOn tomml8 8-> \improvisationOff } >> r2 | %--96 r2 r4 \improvisationOn tomml4->\laissezVibrer\ff \improvisationOff \rs \rs \rs \rs \rs \rs\> \repeat unfold 9 { \rs } \rs\! | %--101 \rs\mf \repeat unfold 11 { \rs } \rs\f \repeat unfold 11 { \rs } | %--107 \repeat unfold 59 { \rs } \improvisationOn tomml4-.-> \improvisationOff | %--122 R2. \rs\mf \repeat unfold 39 { \rs } \improvisationOn tomml4->\laissezVibrer \improvisationOff r4 r2 R1*3 r1\fermata } %---------------------------------------------------------------------------- #(set-global-staff-size 15) \book { \header { instrument = "C-score" } \score { \keepWithTag #'score << \new StaffGroup = "saxophones" << \new Staff \with { instrumentName = "Soprano" shortInstrumentName = "Ss." midiInstrument = "soprano sax" } << \global \sopranoNotes >> \new Staff \with { instrumentName = "Alto" shortInstrumentName = "As." midiInstrument = "alto sax" } << \altoNotes >> \new Staff \with { instrumentName = "Tenor 1" shortInstrumentName = "Ts.1" midiInstrument = "tenor sax" } << \tenorOneNotes >> \new Staff \with { instrumentName = "Tenor 2" shortInstrumentName = "Ts.2" midiInstrument = "tenor sax" } << \tenorTwoNotes >> << \new ChordNames { \override ChordName.font-size = #-1 \baritoneChords } \new Staff \with { instrumentName = "Baritone" shortInstrumentName = "Bs." midiInstrument = "baritone sax" } << \clef bass \baritoneNotes >> >> >> \new StaffGroup = "trumpets" << \new Staff \with { instrumentName = "Trumpet 1" shortInstrumentName = "Tp.1" midiInstrument = "trumpet" } << \trumpetOneNotes >> \new Staff \with { instrumentName = "Trumpet 2" shortInstrumentName = "Tp.2" midiInstrument = "trumpet" } << \trumpetTwoNotes >> \new Staff \with { instrumentName = "Trumpet 3" shortInstrumentName = "Tp.3" midiInstrument = "trumpet" } << \trumpetThreeNotes >> \new Staff \with { instrumentName = "Trumpet 4" shortInstrumentName = "Tp.4" midiInstrument = "trumpet" } << \trumpetFourNotes >> >> \new StaffGroup = "trombones" << \new Staff \with { instrumentName = "Trombone 1" shortInstrumentName = "Tb.1" midiInstrument = "trombone" } << \clef bass \tromboneOneNotes >> \new Staff \with { instrumentName = "Trombone 2" shortInstrumentName = "Tb.2" midiInstrument = "trombone" } << \clef bass \tromboneTwoNotes >> \new Staff \with { instrumentName = "Trombone 3" shortInstrumentName = "Tb.3" midiInstrument = "trombone" } << \clef bass \tromboneThreeNotes >> \new Staff \with { instrumentName = \markup { \column { "Bass" \line { "Trombone " } } } shortInstrumentName = "B.Tb." midiInstrument = "trombone" } << \clef bass \tromboneBassNotes >> >> \new Staff \with { instrumentName = "Guitar" shortInstrumentName = "Gt." midiInstrument = "distorted guitar" } << \clef "treble_8" \guitarNotes >> \new PianoStaff \with { instrumentName = "Piano" shortInstrumentName = "Pi." midiInstrument = "acoustic grand" midiMaximumVolume = #0.5 } << \new Staff << \pianoNotesRH >> \new ChordNames { \override ChordName.font-size = #-1 \pianoChords } \new Staff << \clef bass \pianoNotesLH >> >> << \new ChordNames { \override ChordName.font-size = #-1 \bassChords } \new Staff \with { instrumentName = "Bass" shortInstrumentName = "Bas." midiInstrument = "acoustic bass" } << \clef bass \bassNotes >> >> \new DrumStaff \with { instrumentName = "Drums" shortInstrumentName = "Dr." } << \drumNotes >> >> \layout {} \midi { \context { \Score midiChannelMapping = #'instrument } } } } %---------------------------------------------------------------------------- #(set-global-staff-size 22) \layout { \context { \Score \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) skipBars = ##t } } \bookOutputName "./B.C.I-parts/B.C.I" \book { \bookOutputSuffix "Soprano" \header { instrument = \markup { "Soprano Sax in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Ss." } \transpose bes c' << \transposition bes \global \sopranoNotes >> } } \book { \bookOutputSuffix "Alto" \header { instrument = \markup { "Alto Sax in E" \smaller \flat } } \score { \new Staff \with { instrumentName = "As." } \transpose ees c' << \transposition ees \global \altoNotes >> } } \book { \bookOutputSuffix "Tenor1" \header { instrument = \markup { "Tenor Sax 1 in B" \smaller \flat } } \score { \keepWithTag #'part \new Staff \with { instrumentName = "Ts.1" } \transpose bes c'' << \transposition bes, \global \tenorOneNotes >> } } \book { \bookOutputSuffix "Tenor2" \header { instrument = \markup { "Tenor Sax 2 in B" \smaller \flat } } \score { \keepWithTag #'part \new Staff \with { instrumentName = "Ts.2" } \transpose bes c'' << \transposition bes, \global \tenorTwoNotes >> } } \book { \bookOutputSuffix "Baritone" \header { instrument = \markup { "Baritone Sax in E" \smaller \flat } } \score { \keepWithTag #'part << \new ChordNames \transpose ees c'' { \transposition ees, \baritoneChords } \new Staff \with { instrumentName = "Bs." } \transpose ees c'' << \transposition ees, \global \clef treble \baritoneNotes >> >> } } \book { \bookOutputSuffix "Trumpet1" \header { instrument = \markup { "Trumpet 1 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.1" } \transpose bes c' << \transposition bes \global \trumpetOneNotes >> } } \book { \bookOutputSuffix "Trumpet2" \header { instrument = \markup { "Trumpet 2 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.2" } \transpose bes c' << \transposition bes \global \trumpetTwoNotes >> } } \book { \bookOutputSuffix "Trumpet3" \header { instrument = \markup { "Trumpet 3 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.3" } \transpose bes c' << \transposition bes \global \trumpetThreeNotes >> } } \book { \bookOutputSuffix "Trumpet4" \header { instrument = \markup { "Trumpet 4 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.4" } \transpose bes c' << \transposition bes \global \trumpetFourNotes >> } } \book { \bookOutputSuffix "Trombone1" \header { instrument = "Trombone 1" } \score { \new Staff \with { instrumentName = "Tb.1" } << \global \clef bass \tromboneOneNotes >> } } \book { \bookOutputSuffix "Trombone2" \header { instrument = "Trombone 2" } \score { \new Staff \with { instrumentName = "Tb.2" } << \global \clef bass \tromboneTwoNotes >> } } \book { \bookOutputSuffix "Trombone3" \header { instrument = "Trombone 3" } \score { \new Staff \with { instrumentName = "Tb.3" } << \global \clef bass \tromboneThreeNotes >> } } \book { \bookOutputSuffix "TromboneBass" \header { instrument = "Bass Trombone" } \score { \new Staff \with { instrumentName = "B.Tb." } << \global \clef bass \tromboneBassNotes >> } } \book { \bookOutputSuffix "Guitar" \header { instrument = "Guitar" } \score { \new Staff \with { instrumentName = "Gt." } << \global \clef "treble_8" \guitarNotes >> } } \book { \bookOutputSuffix "Piano" \header { instrument = "Piano" } \score { \new PianoStaff \with { instrumentName = "Pi." } << \new Staff << \global \pianoNotesRH >> \new ChordNames { \pianoChords } \new Staff << \global \clef bass \pianoNotesLH >> >> } } \book { \bookOutputSuffix "Bass" \header { instrument = "Bass" } \score { << \new ChordNames { \bassChords } \new Staff \with { instrumentName = "Bas." } << \global \clef bass \bassNotes >> >> } } \book { \bookOutputSuffix "Drums" \header { instrument = "Drums" } \score { \new DrumStaff \with { instrumentName = "Dr." } << \global \drumNotes >> } }