\version "2.24.0" #(ly:set-option 'point-and-click #f) \header { title = "B.C. III" composer = "Fredrik Olofsson 1999" tagline = "v2021-11-21" } \paper { evenHeaderMarkup = \markup { \fill-line { \unless \on-first-page \fromproperty #'page:page-number-string \unless \on-first-page \fromproperty #'header:instrument \unless \on-first-page \fromproperty #'header:title } } oddHeaderMarkup = \evenHeaderMarkup ragged-bottom = ##f ragged-last-bottom = ##t } \layout { \accidentalStyle modern-cautionary \context { \Score \numericTimeSignature } } %---------------------------------------------------------------------------- rs = { \once \override Rest.stencil = #ly:percent-repeat-interface::beat-slash \once \override Rest.thickness = #0.48 \once \override Rest.slope = #1.7 \once \override Rest.staff-position = #0 \once \override Rest.X-extent = #'(0 . 0) r4 } %---------------------------------------------------------------------------- global = { %Timeline \tempo 4 = 160 \time 4/4 s1*7 \time 3/4 s2. \bar "||" \mark \markup { \box "9" } \time 4/4 s1*8 \mark \markup { \center-column { \small \bold "OPEN REPEAT" \line { \box "17" } } } \repeat volta 2 { s1*2 } \mark \markup { \center-column { \small \bold "ON CUE:" \line { \small \bold "(3x)" } } } \repeat volta 3 { s1*7 } \alternative { { s1 } { s1 } } \time 3/4 s2. \bar "||" \mark \markup { \box "29" } \time 4/4 s1*6 \time 3/4 s2.*2 \bar "||" \time 4/4 s1*4 \bar "||" \mark \markup { \box "41" } s1*8 \bar "||" \mark \markup { \box "49" } s1*8 \bar "||" \mark \markup { \box "57" } s1*8 \bar "||" \mark \markup { \box "65" } s1*8 \bar "||" s1 \time 3/4 s2. \time 4/4 s1 \time 3/4 s2. \time 4/4 \bar "||" \mark \markup { \box "77" } s1*8 \bar "||" \mark \markup { \box "85" } s1*7 \time 3/4 s2.*2 \bar "|." } %---------------------------------------------------------------------------- sopranoNotes = \relative c' { R1 a'16\(\f bes a bes\) a4-. 16\( bes a bes\) a4-. 16\( bes a bes\) a4-. r a16\( bes a bes\) a4-. r r2 R1 r4 bes16\( a bes a\) bes4-. bes16\( a bes a\) bes4-. 16\( a bes a\) bes4-. r bes16\( a bes a\) bes8-. 16\( a bes a bes a\) | %--9 g4-. r r2 R1*7 | %--17 R1*2 aes'4\repeatTie r r r8 aes,\mf^\markup { \halign #0 "tacet 1x" } bes aes bes4-- 4-. aes~ 4 r r r8 c d c d4-- d-. f~ f r r r8 aes, bes aes bes4-- 4-. aes~ 4 r r r8 d f d f4-- 4-. aes\laissezVibrer f8 d f4-- 4-. aes~ 2~ 8 r | %--29 \override NoteHead.style = #'cross b,8-.\mf^"(x = slap tongue)" 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. a8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. b8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. a8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. 8-. aes8-. \repeat unfold 6 { 8-. 8-. 8-. 8-. r8 8-. 8-. g8-. R1 } \revert NoteHead.style | %--49 R1*8 | %--57 R1*8 | %--65 r2 r4 r8 g\f a g a4-- 4-. g~ 4 r r r8 b cis b cis4-- 4-. e~ 4 r r r8 g, a g a4-- 4-. g~ 4 r r r8 cis e cis e4-- 4-. g~ 1~ 2.~ 1~ 2.~ | %--77 2. r8 g,\ff a g a4-- 4-. g~ 4 r r r8 b cis b cis4-- 4-. e~ 4 r r r8 g, a g a4-- 4-. g~ 4 r r r8 cis e cis e4-- 4-. e16\( d cis c\) | %--85 b!4^^ 2~-> 8 r a16\( bes a bes\) a4-. 16\( bes a bes\) a4-. 16\( bes a bes\) a4-. r a16\( bes a bes\) a4-. r r r8 b!^^ r b~-> 2 r4 r bes16\( a bes a\) bes4-. 16\( a bes a\) bes4-. 16\( a bes a\) bes4-. r bes16\( a bes a\) bes8-. 16\( a bes a bes a\) g2.\mf\fermata } altoNotes = \relative c' { R1 fis16\(\f g fis g\) fis4-. 16\( g fis g\) fis4-. 16\( g fis g\) fis4-. r fis16\( g fis g\) fis4-. r r2 R1 r4 g16\( fis g fis\) g4-. 16\( fis g fis\) g4-. 16\( fis g fis\) g4-. r g16\( fis g fis\) g8-. 16\( fis g fis g fis\) | %--9 d4-. r r2 R1*7 | %--17 R1*2 aes'4\repeatTie r r r8 aes\mf^\markup { \halign #0 "tacet 1x" } bes aes bes4-- 4-. aes~ 4 r r r8 c, d c d4-- d-. f~ f r r r8 aes bes aes bes4-- 4-. aes~ 4 r r r8 d, f d f4-- 4-. aes\laissezVibrer f8 d f4-- 4-. aes~ 2~ 8 r | %--29 \override NoteHead.style = #'cross f8-.\mf^"(x = slap tongue)" 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. e8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. f8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. e8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. 8-. ees8-. \repeat unfold 6 { 8-. 8-. 8-. 8-. r8 8-. 8-. d8-. R1 } \revert NoteHead.style | %--49 f'1~\mf 1~ 1~ 1~ 1~ 1~ 1~ 1~ | %--57 8 r r4 r2 R1*7 | %--65 r2 r4 r8 g,\f a g a4-- 4-. g~ 4 r r r8 b, cis b cis4-- 4-. e~ 4 r r r8 g a g a4-- 4-. g~ 4 r r r8 cis, e cis e4-- 4-. g~ 1~ 2.~ 1~ 2.~ | %--77 2. r8 g\ff a g a4-- 4-. g~ 4 r r r8 b, cis b cis4-- 4-. e~ 4 r r r8 g a g a4-- 4-. g~ 4 r r r8 cis, e cis e4-- 4-. e16\( fis g gis\) | %--85 bes!4^^ 2~-> 8 r fis16\( g fis g\) fis4-. 16\( g fis g\) fis4-. 16\( g fis g\) fis4-. r fis16\( g fis g\) fis4-. r r r8 bes^^ r bes~-> 2 r4 r g16\( fis g fis\) g4-. 16\( fis g fis\) g4-. 16\( fis g fis\) g4-. r g16\( fis g fis\) g8-. 16\( fis g fis g fis\) d2.\mf\fermata } tenorOneChords = \chordmode { s1*7 s2. s1*8 s1*2 s1*8 s1 s2. s1*6 s2.*2 s1*4 \repeat unfold 12 { f1:7.9+ bes:13 } \repeat unfold 4 { e1:7.9+ a:13 } } tenorOneNotes = \relative c' { R1 dis16\(\f e dis e\) dis4-. 16\( e dis e\) dis4-. 16\( e dis e\) dis4-. r dis16\( e dis e\) dis4-. r r2 R1 dis16\( e dis e\) dis4-. 16\( e dis e\) dis4-. 16\( e dis e\) dis4-. r dis16\( e dis e\) dis8-. 16\( e dis e dis e dis e dis e\) | %--9 b4-. r r2 R1*7 | %--17 R1*2 aes'4\repeatTie r r r8 aes,\mf^\markup { \halign #0 "tacet 1x" } bes aes bes4-- 4-. aes~ 4 r r r8 c d c d4-- d-. f~ f r r r8 aes, bes aes bes4-- 4-. aes~ 4 r r r8 d f d f4-- 4-. aes\laissezVibrer f8 d f4-- 4-. aes~ 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 \rs-"solo ad lib." \repeat unfold 31 { \rs } | %--49 \repeat unfold 32 { \rs } | %--57 \repeat unfold 32 { \rs } | %--65 \repeat unfold 31 { \rs } \rs-"end solo" R1 R2. R1 R2. | %--77 r2 r4 r8 g,\ff a g a4-- 4-. g~ 4 r r r8 b cis b cis4-- 4-. e~ 4 r r r8 g, a g a4-- 4-. g~ 4 r r r8 cis e cis e4-- 4-. e16\( d cis c\) | %--85 e4^^ 2~-> 8 r dis16\( e dis e\) dis4-. 16\( e dis e\) dis4-. 16\( e dis e\) dis4-. r dis16\( e dis e\) dis4-. r r r8 e^^ r e~-> 2 r4 dis16\( e dis e\) dis4-. 16\( e dis e\) dis4-. 16\( e dis e\) dis4-. r dis16\( e dis e\) dis8-. 16\( e dis e dis e dis e dis e\) b2.\mf\fermata } tenorTwoNotes = \relative c' { R1 b16\(\f c b c\) b4-. 16\( c b c\) b4-. 16\( c b c\) b4-. r b16\( c b c\) b4-. r r2 R1 b16\( c b c\) b4-. 16\( c b c\) b4-. 16\( c b c\) b4-. r b16\( c b c\) b8-. 16\( c b c b c b c b c\) | %--9 a4-. r r2 R1*7 | %--17 R1*2 aes'4\repeatTie r r r8 aes,\mf^\markup { \halign #0 "tacet 1x" } bes aes bes4-- 4-. aes~ 4 r r r8 c d c d4-- d-. f~ f r r r8 aes, bes aes bes4-- 4-. aes~ 4 r r r8 d f d f4-- 4-. aes\laissezVibrer f8 d f4-- 4-. aes~ 2~ 8 r | %--29 \override NoteHead.style = #'cross c,8-.\mf^"(x = slap tongue)" 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. bes8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. c8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. bes8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. 8-. a8-. 8-. 8-. 8-. 8-. r8 8-. 8-. aes8-. R1 \repeat unfold 5 { a8-. 8-. 8-. 8-. r8 8-. 8-. aes8-. R1 } \revert NoteHead.style | %--49 f'1~\mf 1~ 1~ 1~ 1~ 1~ 1~ 1~ | %--57 8 r r4 r2 R1*7 | %--65 r2 r4 r8 g,\f a g a4-- 4-. g~ 4 r r r8 b cis b cis4-- 4-. e~ 4 r r r8 g, a g a4-- 4-. g~ 4 r r r8 cis e cis e4-- 4-. g~ 1~ 2.~ 1~ 2.~ | %--77 4 r8 e~\ff 2~ 1~ 1~ 1~ 4 r8 e~ 2~ 1~ 1~ 2. e16\( d cis c\) | %--85 g4^^ 2~-> 8 r b16\( c b c\) b4-. 16\( c b c\) b4-. 16\( c b c\) b4-. r b16\( c b c\) b4-. r r r8 g^^ r g~-> 2 r4 b16\( c b c\) b4-. 16\( c b c\) b4-. 16\( c b c\) b4-. r b16\( c b c\) b8-. 16\( c b c b c b c b c\) a2.\mf\fermata } baritoneNotes = \relative c { \tag #'score { \clef bass } c4^^\ff c,2~-> 8 r R1*2 r2 r4 r8 c'^^ r c,~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 f'8->\f^"3x only" f, g aes r2 R1 f'8-> f, g aes r a4-- bes8-> R1 f'8-> f, g aes r2 R1 f'8-> f, g aes r a4-- bes8-> R1 R1 R2. | %--29 r4 e,8-.\mf a-. ees'-. a,-. e4-- a8-. ees'-. a,-. e-. a4-- ees'8-. a,-. e-. a-. ees'4-- a,8-. e-. a-. ees'-. a,4-- e8-. a-. ees'-. a,-. e4-- a8-. ees'-. a,-. e-. a4-- ees'8-. a,-. e-. a-. ees'4-- a,8-. e-. a-. ees'-. a,4-- e8-. a-. ees'-. a,-. e4-- a8-. ees'-. a,-. f-. R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 f'8->\f f, g aes r2 R1 f'8-> f, g aes r a4-- bes8-> R1 f'8-> f, g aes r2 R1 f'8-> f, g aes r a4-- bes8-> R1 | %--65 e8-> e, fis g r2 R1 e'8-> e, fis g r gis4-- a8-> R1 e'8-> e, fis g r2 R1 e'8-> e, fis g r gis4-- a8-> R1 e'8-> e, fis g r gis4-- a8-> R2. e'8-> e, fis g r2 R2. | %--77 e'8->\ff e, fis g r4 r8 g' a g a4-- 4-. g-- e8-> e, fis g r4 r8 b' cis b cis4-- 4-. e-- e,8-> e, fis g r4 r8 g' a g a4-- 4-. g-- e8-> e, fis g r4 r8 cis' e cis e4-- 4-. r | %--85 c,4^^ c,2~-> 8 r R1*2 r2 r4 r8 c'^^ r c,~-> 2 r4 R1*2 R2. r2.\fermata } \addQuote "baritoneQuote" \transpose c c' { \baritoneNotes } trumpetOneNotes = \relative c' { a''4^^\ff b2~-> 8 r R1*2 r2 r4 r8 a^^ r b~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 aes4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { aes4. 8-. r2 R1 } r2 r4 aes~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 aes4.\f 8-. r aes4-- g8-. R1 \repeat unfold 3 { aes4. 8-. r aes4-- g8-. R1 } | %--65 \repeat unfold 4 { g4. 8-. r g4-- fis8-. R1 } \repeat unfold 2 { g4. 8-. r g4-- fis8-. R2. } | %--77 \repeat unfold 3 { g4. 8-. r g4-- fis8-. R1 } g4. 8-. r g4-- fis8-. r2 r4 e16\( fis g gis\) | %--85 a4^^\ff b2~-> 8 r R1*2 r2 r4 r8 a^^ r b~-> 2 r4 R1*2 R2. r2.\fermata } trumpetTwoNotes = \relative c' { fis'4^^\ff a2~-> 8 r R1*2 r2 r4 r8 fis^^ r a~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 ees4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { ees4. 8-. r2 R1 } r2 r4 e~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 ees4.\f 8-. r ees4-- d8-. R1 \repeat unfold 3 { ees4. 8-. r ees4-- d8-. R1 } | %--65 \repeat unfold 4 { d4. 8-. r d4-- cis8-. R1 } \repeat unfold 2 { d4. 8-. r d4-- cis8-. R2. } | %--77 \repeat unfold 3 { d4. 8-. r d4-- cis8-. R1 } d4. 8-. r d4-- cis8-. r2 r4 e16\( fis g gis\) | %--85 fis4^^\ff a2~-> 8 r R1*2 r2 r4 r8 fis^^ r a~-> 2 r4 R1*2 R2. r2.\fermata } trumpetThreeNotes = \relative c' { dis'4^^\ff fis2~-> 8 r R1*2 r2 r4 r8 dis^^ r fis~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 c4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { c4. 8-. r2 R1 } r2 d~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 c4.\f 8-. r c4-- c8-. R1 \repeat unfold 3 { c4. 8-. r c4-- c8-. R1 } | %--65 \repeat unfold 4 { b4. 8-. r b4-- b8-. R1 } \repeat unfold 2 { b4. 8-. r b4-- b8-. R2. } | %--77 \repeat unfold 3 { b4. 8-. r b4-- b8-. R1 } b4. 8-. r b4-- b8-. r2 r4 e16\( d cis c\) | %--85 dis4^^\ff fis2~-> 8 r R1*2 r2 r4 r8 dis^^ r fis~-> 2 r4 R1*2 R2. r2.\fermata } trumpetFourNotes = \relative c' { b'4^^\ff dis2~-> 8 r R1*2 r2 r4 r8 b^^ r dis~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 a4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { a4. 8-. r2 R1 } r2 r8 bes4.~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 a4.\f 8-. r a4-- aes8-. R1 \repeat unfold 3 { a4. 8-. r a4-- aes8-. R1 } | %--65 \repeat unfold 4 { gis4. 8-. r gis4-- g8-. R1 } \repeat unfold 2 { gis4. 8-. r gis4-- g8-. R2. } | %--77 \repeat unfold 3 { gis4. 8-. r gis4-- g8-. R1 } gis4. 8-. r gis4-- g8-. r2 r4 e16\( fis g gis\) | %--85 b4^^\ff dis2~-> 8 r R1*2 r2 r4 r8 b^^ r dis~-> 2 r4 R1*2 R2. r2.\fermata } tromboneOneNotes = \relative c { bes''4^^\ff 2~-> 8 r R1*2 r2 r4 r8 bes^^ r bes~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 aes4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { aes4. 8-. r2 R1 } r4 aes2.~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 aes4.\f 8-. r aes4-- g8-. R1 \repeat unfold 3 { aes4. 8-. r aes4-- g8-. R1 } | %--65 g4. 8-. r g4-- fis8-. R1 \repeat unfold 3 { g4. 8-. r g4-- fis8-. R1 } \repeat unfold 2 { g4. 8-. r g4-- fis8-. R2. } | %--77 \repeat unfold 4 { g4. 8-. r g4-- fis8-. R1 } | %--85 bes4^^\ff 2~-> 8 r R1*2 r2 r4 r8 bes^^ r bes~-> 2 r4 R1*2 R2. r2.\fermata } tromboneTwoNotes = \relative c { g''4^^\ff 2~-> 8 r R1*2 r2 r4 r8 g^^ r g~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 ees4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { ees4. 8-. r2 R1 } d1~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 ees4.\f 8-. r ees4-- d8-. R1 \repeat unfold 3 { ees4. 8-. r ees4-- d8-. R1 } | %--65 \repeat unfold 4 { d4. 8-. r d4-- cis8-. R1 } \repeat unfold 2 { d4. 8-. r d4-- cis8-. R2. } | %--77 \repeat unfold 4 { d4. 8-. r d4-- cis8-. R1 } | %--85 g'4^^\ff 2~-> 8 r R1*2 r2 r4 r8 g^^ r g~-> 2 r4 R1*2 R2. r2.\fermata } tromboneThreeNotes = \relative c { e'4^^\ff 2~-> 8 r R1*2 r2 r4 r8 e^^ r e~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 a,4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { a4. 8-. r2 R1 } r8 bes4.~-> 2~ 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 a4.\f 8-. r a4-- aes8-. R1 \repeat unfold 3 { a4. 8-. r a4-- aes8-. R1 } | %--65 \repeat unfold 4 { gis4. 8-. r gis4-- g8-. R1 } \repeat unfold 2 { gis4. 8-. r gis4-- g8-. R2. } | %--77 \repeat unfold 4 { gis4. 8-. r gis4-- g8-. R1 } | %--85 e'4^^\ff 2~-> 8 r R1*2 r2 r4 r8 e^^ r e~-> 2 r4 R1*2 R2. r2.\fermata } tromboneBassNotes = \relative c { c4^^\ff 2~-> 8 r R1*2 r2 r4 r8 c^^ r c~-> 2 r4 R1*2 R2. | %--9 R1*8 | %--17 R1*2 f4.\f^"3x only" 8-. r2 R1 \repeat unfold 3 { f4. 8-. r2 R1 } e1~-> 2~ 8 r | %--29 R1*6 R2.*2 R1*4 | %--41 R1*8 | %--49 R1*8 | %--57 f4.\f 8-. r f4-- 8-. R1 \repeat unfold 3 { f4. 8-. r f4-- 8-. R1 } | %--65 \repeat unfold 4 { e4. 8-. r e4-- 8-. R1 } \repeat unfold 2 { e4. 8-. r e4-- 8-. R2. } | %--77 \repeat unfold 4 { e4. 8-. r e4-- 8-. R1 } | %--85 c4^^\ff 2~-> 8 r R1*2 r2 r4 r8 c^^ r c~-> 2 r4 R1*2 R2. r2.\fermata } guitarChords = \chordmode { s1*7 s2. s1*4 e1:m7 s1*3 s1*2 \repeat unfold 4 { f1:7.9+ bes:13 } bes4:13 } guitarChordsHi = \chordmode { b1:7 s1*6 s2. s1*8 s1*2 s1*8 s1 s2. s1*6 s2.*2 s1*4 s1*8 s1*8 s1*8 s1*8 s1 s2. s1 s2. s1*8 b1:7 } guitarChordsLo = \chordmode { c1:7 s1*6 s2. s1*8 s1*2 s1*8 s1 s2. s1*6 s2.*2 s1*4 s1*8 s1*8 s1*8 s1*8 s1 s2. s1 s2. s1*8 c1:7 } guitarNotes = \relative c' { \rs\f^\markup { \halign #0 "dist." "solo ad lib." } \repeat unfold 30 { \rs } | %--9 \override Glissando.style = #'zigzag b''1\glissando s1^"long gliss" s1*2 \once \override NoteHead.style = #'slash \once \hide Stem b,,4^"solo ad lib." \repeat unfold 15 { \rs } | %--17 \repeat unfold 8 { \rs } \repeat unfold 32 { \rs } \rs r4^"end solo" r2 R2. | %--29 \override NoteHead.style = #'cross 8-.\mf^"(muted)" 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. \revert NoteHead.style 4-- 4-- \override NoteHead.style = #'cross 8-. 8-. 8-. 8-. 8-. 8-. 8-. 8-. 8-. 8-. r8 8-. 8-. 8-. R1 8-. 8-. 8-. 8-. r8 8-. 8-. 8-. R1 \revert NoteHead.style | %--41 \repeat unfold 4 { 4. 8-. r8 4-- 8-. R1 } | %--49 << s4\f \repeat unfold 8 { 4. 8-. r8 4-- 8-. r4 4-- 4-. 4-- } >> | %--65 \repeat unfold 4 { 4. 8-. r8 4-- 8-. r4 4-- 4-. 4-- } R1 R2. R1 R2. | %--77 \repeat unfold 4 { 4. 8-. r8 4-- 8-. r4 4-- 4-. 4-- } | %--85 \rs^\markup { \halign #0 "solo ad lib." } \repeat unfold 30 { \rs } b''2.\mf\fermata } pianoNotesRH = \relative c' { 4^^^\markup { \halign #0 "organ" } 2.~-> 1~ 1~ 2.~ 8 8^^ r8 8~-> 2.~ 1~ 1~ 2. | %--9 R1*8 | %--17 R1*2 \repeat unfold 4 { 4. 8-. r8 4-- 8-. r4 4-- 4-. 4-- } r4 4-- 4-. 4~ 2.~ | %--29 1~\> 2.\mp r4 R1*4 R2.*2 \clef bass \repeat unfold 6 { f,8-> f, g aes r8 a4-- bes8-> r c d4-- ees-- e-- } | %--49 \clef treble f''1~\f 1~ 1~ 1~ 1~ 1~ 1~ 1~ | %--57 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1 | %--65 e1~ 1~ 1~ 1~ 1~ 1~ 1~ 1 \override Glissando.style = #'zigzag R1 R2. R1 r4. e,\glissando | %--77 1~ 1~ 1~ 1~ 1~ 1~ 1~ 1 | %--85 4^^ 2.~-> 1~ 1~ 2.~ 8 8^^ r8 8~-> 2.~ 1~ 1~ 2. r2.\fermata } \addQuote "pianoQuoteRH" \transpose c c, { \pianoNotesRH } pianoNotesLH = \relative c { \dynamicUp \quoteDuring "bassQuote" { s1*7 s2. } | %--9 << s4\mp \repeat unfold 2 { e,4. e'8~ e4. b16 a b4. d8~ 4. a16 b } >> << s4\mf \repeat unfold 3 { e,4. e'8~ e4. b16 a b4. d8~ 4. a16 b } >> \quoteDuring "bassQuote" { s1*9 s2. } | %--29 R1*6 R2.*2 << s4\mf \quoteDuring "pianoQuoteRH" s1*12 >> | %--49 \repeat unfold 8 { f'8-> f, g aes r8 a4-- bes8-> r c d4-- ees-- e-- } | %--65 \quoteDuring "bassQuote" s1*8 R1 R2. e,4. e'8~ 4. b16 a b4. d | %--77 \quoteDuring "bassQuote" { s1*8 } | %--85 \quoteDuring "bassQuote" { s1*7 s2. } e,2.\mf\fermata } bassNotes = \relative c { c4\f g' fis c' ais b dis, a' c, e a, g b bes fis' g8 c,~-> c g'4-- fis8~ 8 c'4-- ais8~ 8 b4-- dis,8~ 8 a'4-- c,8~ c e4-- a,8~ 8 g4-- b8~ 8 bes4-- fis'8~\noBeam 8 g | %--9 R1*8 | %--17 e,8-.\mf 4-. e'8-. r2 b8-. 4-. d8~ 4. r8 << s4-\markup { \dynamic "mf - f" } \repeat unfold 4 { f8-> f, g aes r8 a4-- bes8-> r c d4-- ees-- e-- } >> r8 c d4-- ees-- e~-- 2~ 8 r | %--29 \quoteDuring "baritoneQuote" { s1*6 s2. } e2~-> 8 r << s4\f^\markup { \halign #0 "slap" } \repeat percent 14 { c8 ees' e, ees'16 e, r e16 ees'8 e, ees' } >> << s4\f^\markup { \halign #0 "ord." } \repeat unfold 7 { f,8-> f, g aes r a4-- bes8-> r c d4-- ees-- e-- } >> | %--65 \repeat unfold 4 { e8-> e, fis g r8 gis4-- a8-> r b cis4-- d-- dis-- } R1 R2. R1 R2. | %--77 \repeat unfold 4 { e8-> e, fis g r8 gis4-- a8-> r b cis4-- d-- dis-- } | %--85 c4 g' fis c' ais b dis, a' c, e a, g b bes fis' g8 c,~-> c g'4-- fis8~ 8 c'4-- ais8~ 8 b4-- dis,8~ 8 a'4-- c,8~ c e4-- a,8~ 8 g4-- b8~ 8 bes4-- fis'8~\noBeam 8 g e2.\mf\fermata } \addQuote "bassQuote" \bassNotes drumNotes = \drummode { << { r8^\markup { \halign # 0 "ride" } cymr r cymr r cymr r cymr } \\ { bd8\f 8 sn bd16 sn r sn bd8 sn bd } >> \rs^"sim. ad lib." \repeat unfold 7 { \rs } << \new CueVoice \with { \override NoteHead.style = #'slash \override NoteHead.Y-offset = #2.5 \override Rest.Y-offset = #2.5 } { \voiceOne s2 r4 r8 8^^ r8 8~-> 2 s4 } \\ { \repeat unfold 8 { \rs } } >> \repeat unfold 11 { \rs } | %--9 << cymc4->\laissezVibrer \\ bd4 >> r4 r2 \stemDown bd4\mp r4 r2 \repeat percent 2 { bd4 sn8 bd16 sn r sn bd8 sn4 } << { r8^\markup { \halign # 0 "ride" } cymr r cymr r cymr r cymr } \\ { bd8\mf 8 sn bd16 sn r sn bd8 sn bd } >> \rs^"sim. ad lib." \repeat unfold 19 { \rs } \rs_\markup { \dynamic "mf - f" } \repeat unfold 34 { \rs } << cymc4->\laissezVibrer \\ bd4 >> R2. | %--29 << { hhc8 hhc hhc hho hhc hhc hhc hho } \\ { bd4.\mf 8~ 8 4. } >> \rs^"sim. ad lib." \repeat unfold 22 { \rs } << cymc4->\laissezVibrer \\ bd4 >> r2 << { R1\mf s1*10 s2 s2^"pick-up" } \\ { \repeat percent 11 { bd4 4 4 4 } \rs \rs \rs \rs } >> | %--49 << { r8^\markup { \halign # 0 "ride" } cymr r cymr r cymr r cymr } \\ { bd8\f 8 sn bd16 sn r sn bd8 sn bd } >> \rs^"sim. ad lib." \repeat unfold 91 { \rs } << { R1\mf R2. R1 R2. } \\ { bd4. 8~ 8 4 8 s2. bd4. 8~ 8 4 8 s2. } >> | %--77 << { r8^\markup { \halign # 0 "ride" } cymr r cymr r cymr r cymr } \\ { bd8\f 8 sn bd16 sn r sn bd8 sn bd } >> \rs^"sim. ad lib." \repeat unfold 27 { \rs } | %--85 << \new CueVoice \with { \override NoteHead.style = #'slash \override NoteHead.Y-offset = #2.5 \override Rest.Y-offset = #2.5 } { \voiceOne 4^^ 2-> s4 s1 s1 s2 r4 r8 8^^ r8 8~-> 2 s4 } \\ { \repeat unfold 20 { \rs } } >> \repeat unfold 11 { \rs } << cymc2.\mf\fermata \\ bd2. >> } %---------------------------------------------------------------------------- #(set-global-staff-size 15) \book { \header { instrument = "C-score" } \score { \keepWithTag #'score << \new StaffGroup = "saxophones" << \new Staff \with { instrumentName = "Soprano" shortInstrumentName = "Ss." midiInstrument = "soprano sax" } << \global \sopranoNotes >> \new Staff \with { instrumentName = "Alto" shortInstrumentName = "As." midiInstrument = "alto sax" } << \altoNotes >> << \new ChordNames { \override ChordName.font-size = #-1 \tenorOneChords } \new Staff \with { instrumentName = "Tenor 1" shortInstrumentName = "Ts.1" midiInstrument = "tenor sax" } << \tenorOneNotes >> >> \new Staff \with { instrumentName = "Tenor 2" shortInstrumentName = "Ts.2" midiInstrument = "tenor sax" } << \tenorTwoNotes >> \new Staff \with { instrumentName = "Baritone" shortInstrumentName = "Bs." midiInstrument = "baritone sax" } << \clef bass \baritoneNotes >> >> \new StaffGroup = "trumpets" << \new Staff \with { instrumentName = "Trumpet 1" shortInstrumentName = "Tp.1" midiInstrument = "trumpet" } << \trumpetOneNotes >> \new Staff \with { instrumentName = "Trumpet 2" shortInstrumentName = "Tp.2" midiInstrument = "trumpet" } << \trumpetTwoNotes >> \new Staff \with { instrumentName = "Trumpet 3" shortInstrumentName = "Tp.3" midiInstrument = "trumpet" } << \trumpetThreeNotes >> \new Staff \with { instrumentName = "Trumpet 4" shortInstrumentName = "Tp.4" midiInstrument = "trumpet" } << \trumpetFourNotes >> >> \new StaffGroup = "trombones" << \new Staff \with { instrumentName = "Trombone 1" shortInstrumentName = "Tb.1" midiInstrument = "trombone" } << \clef bass \tromboneOneNotes >> \new Staff \with { instrumentName = "Trombone 2" shortInstrumentName = "Tb.2" midiInstrument = "trombone" } << \clef bass \tromboneTwoNotes >> \new Staff \with { instrumentName = "Trombone 3" shortInstrumentName = "Tb.3" midiInstrument = "trombone" } << \clef bass \tromboneThreeNotes >> \new Staff \with { instrumentName = \markup { \column { "Bass" \line { "Trombone " } } } shortInstrumentName = "B.Tb." midiInstrument = "trombone" } << \clef bass \tromboneBassNotes >> >> << \new ChordNames { \override ChordName.font-size = #-1 \guitarChords } \new ChordNames \with { \override ChordName.before-line-breaking = #(lambda (grob) (let ((orig (ly:grob-property grob 'text))) (ly:grob-set-property! grob 'text #{ \markup \combine $orig \lower #1 "__" #}))) } { \override ChordName.font-size = #-1 \guitarChordsHi } \new ChordNames { \override ChordName.font-size = #-1 \guitarChordsLo } \new Staff \with { instrumentName = "Guitar" shortInstrumentName = "Gt." midiInstrument = "distorted guitar" } << \clef "treble_8" \guitarNotes >> >> \new PianoStaff \with { instrumentName = "Piano" shortInstrumentName = "Pi." midiInstrument = "acoustic grand" midiMaximumVolume = #0.5 } << \new Staff << \pianoNotesRH >> \new Staff << \clef bass \pianoNotesLH >> >> \new Staff \with { instrumentName = "Bass" shortInstrumentName = "Bas." midiInstrument = "acoustic bass" } << \clef bass \bassNotes >> \new DrumStaff \with { instrumentName = "Drums" shortInstrumentName = "Dr." } << \drumNotes >> >> \layout {} \midi { \context { \Score midiChannelMapping = #'instrument } } } } %---------------------------------------------------------------------------- #(set-global-staff-size 22) \layout { \context { \Score \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16) skipBars = ##t } } \bookOutputName "./B.C.III-parts/B.C.III" \book { \bookOutputSuffix "Soprano" \header { instrument = \markup { "Soprano Sax in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Ss." } \transpose bes c' << \transposition bes \global \sopranoNotes >> } } \book { \bookOutputSuffix "Alto" \header { instrument = \markup { "Alto Sax in E" \smaller \flat } } \score { \new Staff \with { instrumentName = "As." } \transpose ees c' << \transposition ees \global \altoNotes >> } } \book { \bookOutputSuffix "Tenor1" \header { instrument = \markup { "Tenor Sax 1 in B" \smaller \flat } } \score { << \new ChordNames \transpose bes c'' { \transposition bes, \tenorOneChords } \new Staff \with { instrumentName = "Ts.1" } \transpose bes c'' << \transposition bes, \global \tenorOneNotes >> >> } } \book { \bookOutputSuffix "Tenor2" \header { instrument = \markup { "Tenor Sax 2 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Ts.2" } \transpose bes c'' << \transposition bes, \global \tenorTwoNotes >> } } \book { \bookOutputSuffix "Baritone" \header { instrument = \markup { "Baritone Sax in E" \smaller \flat } } \score { \keepWithTag #'part \new Staff \with { instrumentName = "Bs." } \transpose ees c'' << \transposition ees, \global \clef treble \baritoneNotes >> } } \book { \bookOutputSuffix "Trumpet1" \header { instrument = \markup { "Trumpet 1 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.1" } \transpose bes c' << \transposition bes \global \trumpetOneNotes >> } } \book { \bookOutputSuffix "Trumpet2" \header { instrument = \markup { "Trumpet 2 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.2" } \transpose bes c' << \transposition bes \global \trumpetTwoNotes >> } } \book { \bookOutputSuffix "Trumpet3" \header { instrument = \markup { "Trumpet 3 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.3" } \transpose bes c' << \transposition bes \global \trumpetThreeNotes >> } } \book { \bookOutputSuffix "Trumpet4" \header { instrument = \markup { "Trumpet 4 in B" \smaller \flat } } \score { \new Staff \with { instrumentName = "Tp.4" } \transpose bes c' << \transposition bes \global \trumpetFourNotes >> } } \book { \bookOutputSuffix "Trombone1" \header { instrument = "Trombone 1" } \score { \new Staff \with { instrumentName = "Tb.1" } << \global \clef bass \tromboneOneNotes >> } } \book { \bookOutputSuffix "Trombone2" \header { instrument = "Trombone 2" } \score { \new Staff \with { instrumentName = "Tb.2" } << \global \clef bass \tromboneTwoNotes >> } } \book { \bookOutputSuffix "Trombone3" \header { instrument = "Trombone 3" } \score { \new Staff \with { instrumentName = "Tb.3" } << \global \clef bass \tromboneThreeNotes >> } } \book { \bookOutputSuffix "TromboneBass" \header { instrument = "Bass Trombone" } \score { \new Staff \with { instrumentName = "B.Tb." } << \global \clef bass \tromboneBassNotes >> } } \book { \bookOutputSuffix "Guitar" \header { instrument = "Guitar" } \score { << \new ChordNames { \guitarChords } \new ChordNames \with { \override ChordName.before-line-breaking = #(lambda (grob) (let ((orig (ly:grob-property grob 'text))) (ly:grob-set-property! grob 'text #{ \markup \combine $orig \lower #1 "__" #}))) } { \guitarChordsHi } \new ChordNames { \guitarChordsLo } \new Staff \with { instrumentName = "Gt." } << \global \clef "treble_8" \guitarNotes >> >> } } \book { \bookOutputSuffix "Piano" \header { instrument = "Piano" } \score { \new PianoStaff \with { instrumentName = "Pi." } << \new Staff << \global \pianoNotesRH >> \new Staff << \global \clef bass \pianoNotesLH >> >> } } \book { \bookOutputSuffix "Bass" \header { instrument = "Bass" } \score { \new Staff \with { instrumentName = "Bas." } << \global \clef bass \bassNotes >> } } \book { \bookOutputSuffix "Drums" \header { instrument = "Drums" } \score { \new DrumStaff \with { instrumentName = "Dr." } << \global \drumNotes >> } }